Brahms’ monumental Second Piano Concerto and Dvořák's epic New World Symphony: Romanticism with a capital R — bold, sweeping and majestic.
Two monuments of Romantic music meet in an evening of pure intensity and emotion. In his Second Piano Concerto, Brahms conceived the piano and orchestra as equal protagonists in a compelling narrative. The work is often described as a symphony with soloist, and for good reason. Expanding the traditional concerto form to four movements, Brahms reveals...
Two monuments of Romantic music meet in an evening of pure intensity and emotion. In his Second Piano Concerto, Brahms conceived the piano and orchestra as equal protagonists in a compelling narrative. The work is often described as a symphony with soloist, and for good reason. Expanding the traditional concerto form to four movements, Brahms reveals an exceptionally broad expressive palette. From robust power to the most delicate lyricism — most famously in the cello solo of the third movement — the music unfolds with both emotional depth and formidable demands. Pianist Masaya Kamei (5th prize in the Queen Elisabeth Competition 2025) rises to the challenge with precision and clarity, shaping the work’s sweeping tensions with authority and insight.
The programme continues with Antonín Dvořák’s Symphony No. 9, “From the New World”, written during his years in New York. Bohemian warmth meets the vastness of America through folk-inspired melodies, the unforgettable English horn solo in the Largo, and a thrilling finale unleashed at full orchestral force. Under the direction of Mikko Franck, the symphony becomes a dramatic journey, culminating in a finale that overwhelms and refuses to let go.
Meet Masaya Kamei at Bozar! During the interval or after the concert, he will be present for a signing session. As part of the Piano Legends subscription series, and subject to the artist's availability.
Thanks to the players of the National Lottery and to the Tax Shelter of the Federal Government of Belgium through Casa Kafka Pictures.