From virtuosic brilliance to hallucinatory obsession: Saint-Saëns and Berlioz push Romanticism to its limits.
Love as a driving force — and as a dangerous one: this is the central theme of this Friday Symphony. After a gentle, dreamlike lament by Paul Dukas, in homage to Debussy's genius, Camille Saint-Saëns’ Second Piano Concerto takes centre stage. Brilliant, sharp and playfully free, it lets the piano sparkle between virtuosity and irony. Pavel...
Love as a driving force — and as a dangerous one: this is the central theme of this Friday Symphony. After a gentle, dreamlike lament by Paul Dukas, in homage to Debussy's genius, Camille Saint-Saëns’ Second Piano Concerto takes centre stage. Brilliant, sharp and playfully free, it lets the piano sparkle between virtuosity and irony. Pavel Kolesnikov, Bozar artist in residence, shines in this work of elegant nervous energy and refined spontaneity.
The evening then plunges into the visionary world of Berlioz’s Symphonie fantastique. A confessional and incendiary work, born from the composer’s all-consuming passion for actress Harriet Smithson, it charts a descent from romantic dream to obsession, hallucination and nightmare. The famous “idée fixe” motif runs through every movement, sweeping the listener from glittering ballrooms to lonely fields, from the march to the scaffold to a dizzying witches’ sabbath. Under the assured direction of Michael Schønwandt, the symphony emerges in all its true power: radical, uncompromising and still dangerously alive.
Meet Pavel Kolesnikov at Bozar! During the interval or after the concert, he will be present for a signing session. As part of the Piano Legends subscription series, and subject to the artist's availability.
Thanks to the players of the National Lottery and to the Tax Shelter of the Federal Government of Belgium through Casa Kafka Pictures.
You might well compare the London-based Pavel Kolesnikov to a sculptor who carefully chisels his own vision from a block of repertoire. The award-winning pianist carves his way from the early Baroque to contemporary music, feeling the most affinity with narrative programmes. After entrusting him with the delicate task of selecting the new Steinway piano for the Henry Le Bœuf Hall, Bozar now dedicates a concert series to him, taking audiences from Chopin’s Nocturnes to Saint-Saëns’s Piano Concerto.
