After shining over the baroque stage for over a decade, Véronique Gens has achieved a strong international reputation and is now considered one of the best Mozart singers. One of her most prominent roles, Donna Elvira in Don Giovanni staged by Peter Brook and conducted by Claudio Abbado at the Aix-en-Provence Festival earned her worldwide recognition.
In 1999, she was chosen Lyrical Performer of the Year at the Victoires de la Musique Classique.
Her repertoire includes the greatest Mozart parts (Donna Elvira, Contessa Almaviva, Vitellia, Fiordiligi…), famous roles from lyrical tragedies (Iphigénie en Tauride, Iphigénie en Aulide, Alceste…) as well as later ones such as Alice Ford (Falstaff), Eva (Meistersinger von Nürnberg), Madame Lidoine (Dialogues des Carmélites), Hélène (La Belle Hélène), Missia Palmeri (Die lustige Witwe).
In addition to her wide-ranging classical repertoire, Véronique Gens gives numerous concerts and French melodies recitals all over the world, notably in Paris, Amsterdam, Dresden, Berlin, Vienna, Prague, London, Tanglewood, Beijing, Stockholm, Moscow, Geneva or Edimburgh.
She has performed on the most prestigious stages in the world: Royal Opera House Covent Garden, Wiener Staatsoper, Paris National Opera, Bayerische Staatsoper in Munich, La Monnaie in Brussels, Gran Teatro del Liceu in Barcelona, Teatro Real in Madrid, Dutch National Opera in Amsterdam as well as at the Festivals of Aix-en-Provence, Salzburg and Glyndebourne.
Véronique Gens thus had the opportunity to sing under the baton of conductors such as Claudio Abbado, Alain Altinoglu, Bertrand de Billy, Ivor Bolton, Jonathan Cohen, William Christie, Myung-Whun Chung, Charles Dutoit, Daniel Harding, Thomas Hengelbrock, Marek Janowski, Philippe Jordan, Louis Langrée, Jean-Claude Malgoire, Sir Neville Marriner, Marc Minkowski, Jérémie Rhorer, Christophe Rousset, Daniele Rustioni…and to collaborate with renowned stage directors like Pierre Audi, Calixto Bieito, Peter Brook, Willy Decker, Jurgen Flimm, Claus Guth, Michael Haneke, Christof Loy, Olivier Py, Graham Vick, Krzysztof Warlikowski, Dmitri Tcherniakov…
More recently, she sang in Alceste at the Wiener Staatsoper,La Belle Hélène at the Grand Théâtre de Genève, Don Giovanni in Amsterdam, at the Wiener Staatsoper, at the Bayerische Staatsoper in Munich and at the Liceu in Barcelona, La Clemenza di Tito in Dresden and at the Wiener Staatsoper, Falstaff at the Bayerische Staatsoper in Munich, Les Indes Galantes in Budapest, Alceste, Iphigénie en Tauride, Die lustige Witwe, Les Troyens and Les Contes d’Hoffmann (Giulietta)at the Paris National Opera, Dialogues des Carmélites in Paris, Caen and at La Monnaie in Brussels, Faust in an original concert version of 1859 revisited by Christophe Rousset and La Fille de Madame Angot at the Théâtre des Champs-Elysées… In concert, she sangmelodies by Henri Duparc with the Berliner Philharmoniker, Le Poème de l’Amour et de la Mer by Ernest Chausson with the Orchestre National de Lille and with the Mitteldeutscher Sinfonieorchester, Les Nuits d’été with the Stavanger Symphony Orchestra and with the Iceland Symphony Orchestra, La Voix humaine by Francis Poulenc at the Atelier Lyrique in Tourcoing, Shéhérazade by Maurice Ravel under the baton of Daniele Rustioni in Lyon, at the Fstival Estoril in Lisbon, and in Oslo with Vassily Petrenko, the Wesendonck Lieder with the Orchestre des Champs-Elysées under the baton of Philippe Herreweghe, La Nonne sanglante by Berlioz at the Festival de la Côte-Saint-André, Maître Péronilla (Leona) by Offenbach at the Théâtre des Champs-Elysées, La Mort de Cléopâtre with the NHK Symphony Orchestra in Tokyo and the Orchestre national de Metz, melodies by Berlioz with the Orchestre de Picardie, Armide in Brussels, Metz and at the Théâtre des Champs-Elysées, Mahler Rückert Lieder in Nancy…
Her noteworthy projects in the upcoming seasons include La Calisto (Giunone) at La Scala, Armide by Gluck at the Opéra Comique, Dialogues des Carmélites (Madame Lidoine) in Munich… In concert, Ariane et Bacchus by Marin Marais and Iphigénie en Tauride (Clytemnestre) by Campra with Le Concert Spirituel, Scylla et Glaucus (Circé), Castor et Pollux (Phébée) and Werther (Charlotte) in Budapest, Zoroastre (Erinice) with Les Ambassadeurs, Saint-Saëns Requiem with the Orchestre National de France, Les Nuits d’été with the Orchestre National des Pays de la Loire. We will also here her in Berlin, Ghent, London, Paris, Lille, Saint-Etienne, Caen, Bordeaux, Brussels, Lyon…
Very involved in the work lead by the Palazzetto Bru Zane Foundation – French Romantic Music Center, Véronique Gens participated to a lot of recordings belonging to the collection “Opéra français” as Herculanum by David, Cinq-Mars by Gounod, La Jacquerie by Lalo and Coquard, Proserpine by Saint-Saëns, Dante by Godard, La Reine de Chypre by Halévy and Faust by Gounod.
Her many recordings (over 80 CDs and DVDs) have received several international awards. Néère, her record devoted to French melodies, has won a Gramophone Award in 2016. Visions received an International Classic Music Awards as well as a International Opera Awards in 2018.
Véronique Gens has been promoted to the rank of Chevalier in the French order of Légion d’Honneur as well as Commandeur des Arts et des Lettres.
Véronique Gens & Mahler Rückert-Lieder
Mozart a composé sa trente-quatrième symphonie à l’âge de 24 ans à Salzbourg. C’est la dernière symphonie qu’il écrira sur ordre des archevêques de Salzbourg. Par la suite, il s’est installé comme artiste indépendant à Vienne.