John Corigliano, Fantasia on an Ostinato
Igor Stravinsky, The Firebird
Re: Beethoven - Pride and Persistence (in response to Beethoven's Seventh Symphony)
If at first you don't succeed, try, try again? Or does love make you blind? It takes two to tango. In response to “the apotheosis of dance” — that's how Wagner described Beethoven's Seventh Symphony (1811-12) — this programme reveals a particular stubbornness by those who are obsessed with their loved ones.
For the second season of the Ballets Russes, Diaghilev had a spectacular ballet in mind based on Russian myths and sagas. In Stravinsky's Firebird (1910) Ivan Tsarevich crosses swords with the evil magician Koschei who has taken his love prisoner. Influences from Russian folk music give the mythical Firebird its wings and the magical beast offers to help the enamoured prince in his quest.
In the allegretto of Beethoven's Seventh symphony, a certain theme keeps reoccurring. Attracted by the tenacity of this ostinato, composer John Corigliano allows the motif to reappear in different forms in Fantasia on an Ostinato (1985).
Born in Paris to American parents, Wolff spent his early years in London and Washington DC.