Costantinos Carydis, Saleem Ashkar (piano), Stephen Waarts (violin) & Andrei Ionita (cello)
Alfred Schnittke, Das Ritual
Ludwig van Beethoven, Konzert für Klavier, Violine, Violoncello und Orchester in C-Dur, op. 56
Ludwig van Beethoven, Coriolan Ouvertüre, op. 62
Dmitry Shostakovich, Symphony No. 9 in E-flat major, op. 70
I Did It My Way - Beethoven & Shostakovich
When the Yugoslavian embassy in Moscow commissioned Ritual from Alfred Schnittke, to celebrate the liberation of Belgrade, he decided to compose a work in memory of all the victims of World War II instead. He could not envisage the abject crimes that would be committed in Yugoslavia a few years later. This composition was performed for the first time in Novosibirsk.
Given that Shostakovich’s Symphony No. 7 was inspired by the invasion of Russia by the Germans and that his Symphony No. 8 commemorated the suffering caused by war and the Battle of Stalingrad, the Russian public expected his ninth symphony to be a large composition, the apogee of his World War II trilogy. It expected him to glorify Stalin’s achievements. But it was nothing of the sort. Symphony No. 9 only lasts around half an hour (compared with the other two which are each more than one hour long) and is performed by a smaller orchestra. While the first two instalments of the trilogy were accused of being counter-revolutionary and anti-Soviet, the last symphony expresses a sense of relief, a victory over militarism.
Beethoven’s Coriolan Overture continues to be one of his most powerful, dramatic and expressive works. Along with his Egmont Overture, it is one of his most ‘heroic’ works. Initially, he composed this overture for Heinrich Joseph von Collin’s tragedy Coriolan, which was inspired by Plutarch’s biography. Today it has become a popular piece in the symphonic repertoire.
Beethoven’s Triple Concerto (1803), which is one of his best, will be performed by pianist Saleem Ashkar, cellist Andreï Ionita and violinist Stephen Waarts, whom you may still remember from the final of the 2015 Queen Elisabeth Competition. The Greek conductor Constantinos Carydis will revive these great masters, and their unique voices. You will finally understand what man is capable of, when he chooses his own path and refuses to be led by convention.
Following a new production of Bizet’s Carmen at Oper Frankf
Saleem Ashkar made his Carnegie Hall debut at the age of 22 and has since gone on to work with the Wiener Philharmoniker, Royal Concertgebouw Orchestra, London Symphony Orchestra, Mariinsky Orchest
Stephen Waarts’s innate and individual musical voice is establishing him as a firm favourite with audiences in North America and Europe.
Born in 1994 in Bucharest, Andrei began taking piano lessons at the age of five and received his first cello lesson three years later.