Highly sought-after as a conductor and violinist, Roberto González-Monjas is rapidly making a mark on the international scene. A natural musical leader with strong vision and clarity, Roberto possess a unique mixture of remarkable personal charisma, an abundance of energy, enthusiasm and fierce intelligence. Roberto is Chief Conductor and Artistic Advisor of Dalasinfoniettan where his tenure commences in the 19/20 season. Roberto is also Artist in residence with Orquesta Sinfonica de Castilla y Leon in his hometown Valladolid commencing in the 19/20 season. In this capacity, Roberto will conduct the orchestra in their subscription series in Valladolid, performs as a soloist, leads chamber music projects and takes part in educational activities.
Significant future guest conducting debuts include collaborations with Mozarteumorchester Salzburg, Camerata Salzburg, Lahti Symphony Orchestra, Orchestre National de Belgique, Orchestre national d'Île de France, Orquesta Sinfónica de Galicia and RTVE Symphony Orchestra among many others. Recent debuts which led to immediate re-invitations include collaborations with Malaysian Philharmonic, Ulster Orchestra, Orchestre National Bordeaux Aquitaine and Orquesta Joven de la Sinfónica de Galicia.
Passionate about chamber music collaborations, Roberto is a regular guest at Verbier and Lockenhaus Festivals. He frequently collaborates with singers and instrumentalists including Ian Bostridge, Yuja Wang, Janine Jansen, Alexander Lonquich, Lisa Batiashvili, Fazil Say, Reinhard Goebel, Thomas Quasthoff, András Schiff and Kit Armstrong.
Most recently Roberto undertook a variety of conducting, play-direct and chamber music projects with the Musikkollegium Winterthur including a tour of Asia with the clarinettist Andreas Ottensamer. As a passionate champion of the music of living composers, Roberto’s close association with composer Richard Dubugnon has resulted in a new Violin Concerto, which Roberto premiered in May 2018 with the Musikkollegium Winterthur.
Passionate and dedicated to education and nurturing potential of emerging musicians, Roberto co-founded Iberacademy (Ibero-American Orchestral Academy) together with conductor Alejandro Posada. This institution aims at creating an efficient and sustainable model of musical education in Latin America, focusing on vulnerable segments of the population and supporting highly talented young musicians; while based in Medellín (Colombia), it also operates in Bolivia, Perú, Chile and Cuba, providing its students with life-changing opportunities. Most recently Roberto embarked on a European tour with the Iberacademy Orchestra and star tenor Rolando Villazón, with concerts at the Lucerne Easter Festival and the Mozarteum Stiftung in Salzburg. Roberto also serves as a violin professor at the Guildhall School of Music & Drama and undertakes a number of conducting projects with the Guildhall School Chamber and Symphony Orchestras.
With an impressively eclectic and wide-ranging repertoire, Roberto’s variety of styles and interests is also displayed in his recent recording debut featuring Serenades by W. A. Mozart and Othmar Schoeck, released on Claves Records. Gramophone reviewers wrote: In all its 64 minutes’ worth of music, saved from outstaying its welcome by Mozart’s ever-questing ear for an effect, among the most piquant perhaps being the pizzicato passage towards the end of the Andante. It’s played admirably here, under the direction of the well-traveled Roberto González-Monjas. A frequent collaborator of Berlin Baroque Soloists, Roberto contributed as a soloist to their Sony Classical’s release of Bach’s Brandenburg Concerti conducted by Reinhard Goebel.
Roberto served as concertmaster of the Orchestra dell’Accademia Nazionale di Santa Cecilia for six years, and is currently the leader of the Musikkollegium Winterthur. He plays a 1710 Giuseppe Guarnieri ‘filius Andreae’ violin kindly loaned to him by five Winterthur families and the Rychenberg Stiftung.
Radioconcert - Arabella Steinbacher & Dvořák
“Heerlijk om in deze tijd, waarin veel te veel wordt nagedacht, zo’n naïef voelend, vrolijk scheppend talent als Dvořák te ontmoeten,” zo liet de Weense muziekcriticus Eduard Hanslick zich op een dag ontvallen.
Victor Julien-Laferrière & Schumann